Céline Semaan In reading “Let them Drown” by Naomi Klein, she makes the connection between environmental struggles to the Palestinian cause. It is after all about land. She says, Edward Said was no tree-hugger. Descended from traders, artisans and professionals, he once described himself as ‘an extreme case of an urban Palestinian whose relationship to the land is basically metaphorical’.* In After the Last Sky, his meditation on the photographs of Jean Mohr, he explored the most intimate aspects of Palestinian lives, from hospitality to sports to home décor. The tiniest detail – the placing of a picture frame, the defiant posture of a child – provoked a torrent of insight from Said.
On Palestine
An Open Conversation with Noura Erakat
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